With a wider aperture, more light will come in for a better chance at getting great video indoors in dim lighting. While blogging and YouTube marketing are the future, a successful marketing campaign requires using video and audio mediums as effectively as possible. Using a full-frame lens is always an option, too. However, since we're sticking to cine lenses, and more importantly lenses with T-stops, it really narrows down the Sony … It's not a lens for every occasion, but it can be a lot of fun to use. Editor’s Rating: 4.8/5. Photographers love to reach for a wide-angle lens to capture a vast landscape view, or to get really close to a subject, while still giving context to the surroundings. One thing missing from the Sony system are dedicated fish-eye lenses—I've used the Canon EF 8-15mm Fish-Eye and the Sigma MC-11 lens adapter with success. While it has a 28-50mm equivalent range that can limit its performance, the lens has a solid build that isn’t too heavy with silent and fast auto focus. The Godox V1 betters first-party flashes with its round head and rechargeable battery, and undercuts premium alternatives on price. We've just started testing it, but initial impressions are positive. If you use an APS-C camera and prefer a longer lens for portraits, there's no reason not to opt for a full-frame lens. It delivers crisp images in a compact form factor, but uses a relatively small f-stop to get there. If you use an APS-C camera without IBIS, think about the new Tamron 17-70mm F2.8 Di III-A VC RXD, a new lens that's selling for around $800. There are also smaller zooms available for travel—the Sony 28-60mm launched as a kit lens for the a7C camera, but will be on sale on its own in February. Because of this, you need to take some care in buying the right lens for your camera. If you're not in love with the way Sony lenses look or handle, you can instead choose from the Sigma I Series, a family of compact primes with aluminum construction and on-lens aperture control. And a good tripod is something every photographer should own. If you opt for the Sony system, you'll benefit from a very long history, and with a decade's worth of lens development, there are oodles of optics from which to choose. The E 55-210mm isn't one to write home about, and is better value if you get it as part of a discounted bundle. The Sony FE 70-300mm F4.5-5.6 G OSS is a solid telezoom lens for full-frame mirrorless cameras, but a narrow aperture limits use in dim light. The big trade-off with a wide aperture is you can’t focus on as many objects at different distances because the lens has a shallow depth of field. It blurs backgrounds with aplomb and delivers exceedingly sharp results. Sony was one of the first to market with a mirrorless camera, and now offers models ranging from the affordable a6100 all the way to the high-end, 60MP a7R IV. Sigma also uses a Super Multi-Layer coating to cut back on ghosting and flare in videos. This Rokinson lens boosts an impressive 114-degree field of view on full-frame cameras. It also has Extra-low Dispersion glass to avoid chromic aberration, or low color quality and clarity. Created for full-frame Sony E-mount mirrorless cameras, the Sigma 14-24mm f/2.8 DG DN Art Lens provides a versatile range of wide-angle focal lengths with excellent image quality while … Furthermore, it’s a more affordable, better alternative to the one from Canon. The Sigma 85mm F1.4 DG DN Art sports fantastic optics, a wide, bright aperture, and a classic focal length for portraiture—it's the lens to get if you don't want to spend on high-end Sony G Master or Leica glass. If you use an APS-C model, it will come bundled with the small 16-50mm, a retractable power zoom, or the more premium 18-135mm, which offers a longer zoom ratio. The Sony Sonnar T* FE 55mm from Carl Zeiss offers the best in resolution and contrast with a lens for a full-frame Sony E-mount body. The a6000 series is built around the APS-C size, and its a7 and a9 cameras use the larger full-frame size. The Sony E 16-55mm F2.8 G is the company's first pro-grade zoom lens for its APS-C mirrorless system. The Lensbaby Velvet 56 is a macro lens that delivers a soft focus look when shot at wide apertures, but sharpens when stopped down. If you're still holding on to an 18-55mm and mulling an upgrade, or are looking for a lens with more zoom power, you have a few good options in front of you. Lenses like the Sony FE 200-600mm are larger, heavier, and cost more—but they're worth it if you're serious about birding and other telephoto disciplines. All rights reserved. And there are a number of more moderate wide lenses, including 16-35mm zooms, and prime lenses in the 14 to 21mm range. They capture photos with relative narrow angles of view, ideal for bringing distant subjects into view. Manual focus aficionados will love the the Zeiss Loxia 2.4/85 lens thanks to its exceptional build and image quality. You can also go the opposite direction with an autofocus lens from Rokinon, also marketed under the Samyang umbrella. The internal and auto zoom and focus improve functionality. The Best Sony DSLR & Mirrorless Lenses for 2021, The 10 Best Video Lens for Sony DSLR & Mirrorless Cameras in 2021, Sony Sonnar T* FE 55mm f/1.8 ZA [E-Mount, Full Frame], Rokinon 50mm F1.4 Lens [E-Mount, Full Frame], Sony 10-18mm Wide-Angle Zoom Lens [E-Mount, APS-C], Rokinon FE 14mm F2.8 Ultra Wide Fixed Lens [A-Mount, Full Frame], Sony 24-70mm f/4 Vario-Tessar T* FE OSS [E-Mount, Full Frame], Sigma 17-50mm f/2.8 Lens [A-Mount, APS-C], Sigma 18-35mm F/1.8 APS-C Lens [A-Mount, APS-C], Rokinon 35mm T1.5 Aspherical Cine Lens with De-Clicked Aperture [E-Mount, A-Mount, Full Frame], Sony FE 70-300mm F4.5-5.6 G OSS Lens [E-Mount, Full Frame], Sony SAL-16F28 16mm f/2.8 Fisheye Lens [A-Mount, Full Frame], The 14 Best Drawing Tablets for Professional Use, The 11 Best DSLR & Mirrorless Camera Stabilizers in 2021, The 8 Best Smartphone Gimbal Stabilizers in 2021, The 12 Best Laser Cutter & Engraving Machines, Fixed lens with E-mount full frame, not zoomable, Minimum focus distance of 19-11/16 inches, Carl Zeiss T* coating reduces internal reflections for better contrast, Circular aperture for smooth, natural background bokeh effect, 50mm prime lens with Full Frame Sensor coverage, Ultra Multi-Coating (UMC) for improved light transmission, Internal Focusing design for non-rotating 77mm filter threads, Hybrid aspherical and aspherical lens elements reduce color aberrations, Circular aperture for more natural “bokeh” effect, Rubberized focusing ring for quiet focus control, Super wide angle zoom lens with 10-18mm focal length, Focal length equivalent to 15mm in 35mm cameras, Built-in Optical SteadyShot image stabilization, Circular aperture for smooth, natural defocusing, Aspherical lens elements to reduce aberrations, Reduces distortions, color aberrations, ghosting, and flares, Angle of view of 84 degrees to 34 degrees, Minimum aperture: F22; Maximum aperture: f/4, Circular aperture for more natural defocusing, ED glass improves color quality and reduces chromatic aberrations, Aspherical lens design reduces aberrations and reduces lens weight and size, Large aperture zoom lens optimized for Sony A-mount cameras, Hyper-Sonic Motor (HSM) for quiet high-speed auto focus, OP anti-shake feature for much slower shutter speeds, Sigma FLD glass elements to correct all types of aberrations, Super Multi-Layer coating reduces flare and ghosting, 18-35mm focal length,, or 27-52.5mm equivalent on APS-C cameras, F/1.8 maximum aperture; F16 minimum aperture, Ring-type ultrasonic AF motor with full-time manual focusing, Wide glass molded aspherical lens with SLD glass to reduce aberrations and curvature, De-clicked aperture to reduce noise for more specific manual settings, Follow focus compatible to focus and use aperture ring without interrupting video shoot, Full-frame 70-300mm G Series telephoto lens, 9-blade circular aperture for smooth background bokeh effect, 2x Extra-low Dispersion glass dramatically reduces aberration, Aspherical elements reduce spherical aberration, Optical SteadyShot for sharper images even at full telephoto zoom, Direct control buttons and switches on lens, Includes 4 built-in filters: A12, B12, 056, and Normal.

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