Something many manufacturers fail to capture is the inherent buzz of keys returning to their initial position, but Korg delivers. I’m not the biggest fan of Clavs, but the general consensus about the included Clavs is that they’re pretty good. While I didn’t find much to complain about with the defaults, you could just as easily tweak it to fit your personal preferences. However, if you do end up getting the variations of the SV-2 with speakers, you do get quite a lot of bang for your buck. What sets apart the Korg SV-2 is how it looks. It might be cumbersome to need an external PC or Mac, but I’d say it’s a must if you intend on making the most out of this instrument. I think the design is similar to that of a Nord Stage, however, I find the layout on the Korg SV-2 to be a little more user-friendly and I personally prefer it over the Nord’s. I talked about how you need to use this to customize split points, and as I mentioned in the Effects section, the software editor also gives you the ability to change cabinet simulators, but that’s only the tip of the iceberg. Alesis Virtue 88 Review – How Good Is It? The big problem I have is the lack of mobile app support. Either way, this is a small, yet very useful feature that most pianists don’t realize they need, especially if your parts require a lot of preset switching. Next, your signal runs through the valve-supported amp simulations. The main thing that Korg seemed to focus on with the SV-2 is to really improve the sounds. More info on audio interface here. The same keys are also found on the original SV-1. Even without effects, you can tell that all the built-in sounds are sampled very well. Yes, it’s a digital piano, so there are obviously a few technical elements to the piano. The sounds available onboard are clearly tailored towards key-focused players, and that’s fine. On the original SV-1, many debated as to whether the tube actually affected the audio signal (it did), but many saw it as a simple cosmetic gimmick. Just be sure that it’s what you’re looking for before pulling the trigger on that checkout button. KeyboardKraze.com is a participant in the Amazon Services LLC Associates Program, an affiliate advertising program designed to provide a means for sites to earn advertising fees by advertising and linking to Amazon (i.e. It also has a very clean layout. The problem I have is that there are other equally viable products at this price point. There’s also the classic Korg M1 Piano, which was ubiquitous in old-school dance tracks thanks to its uniquely dynamic, yet level tonality. Synthesizers. The same sound qualities I loved from that instrument are recreated here. Korg makes excellent effects, and you’re in good hands. Korg didn’t veer from the SV-1 in very many ways, including even the appearance. This isn’t a huge deal due to the lack of focus on synthesizer sounds, but it’s still something worth noting, in case you wanted to use the SV-2 as an external instrument controller. Finally, there are stereo balanced XLR outputs, which dismiss the need for a DI box. Overall, my review of the Korg SV-2 has been pretty favorable. As far as everything goes, the sounds on the Korg SV-2 are one of its strong suits, particularly when it comes to key-based instruments such as acoustic or electric pianos. Looking at the different sounds, they are as followed: As you can see, there’s a good breakdown of sounds, with most of these being usable and actually really good sounding. In my opinion, the Korg SV-2 is a win for Korg. As mentioned in the comparison chart above, adding speakers increases the weight by a negligible amount, barely passing the 47 lbs (21 kg) mark. The SV-1 packed some incredible electric piano sounds, however, the SV-2 also does the same while adding some great piano & organ sounds as well. Have you checked our guide on recording a digital piano? The default sound is the ‘German Grand’, which is likely a Steinway concert grand, and features the brand’s signature massive, yet controlled sound. If you’re primarily an acoustic piano player, you’ll feel at home with these keys. Matt. All items ship from Canada - 100% Canadian Owned; Sign In or New Customer; Contact Us; TOLL FREE 1-(888)-472-0070. If you play in a synth-heavy band, you could always use this as a MIDI controller as well. The new sounds on the sv2 look interesting and the onboard speakers would be nice, although I’ve gotten so used to wearing headphones. The original SV-1 was well known for pulling off some great EP sounds, especially when used alongside the built-in valve amplifier. With that said, the marketed number of 72 sounds isn’t exactly accurate. 8) Cautions regarding the use of the product are stated at the beginning and end of each owner’s manual. The sounds on the SV-1 were of a lower sample quality than we’d expect from modern era digital pianos, and it showed. The Korg SV-2 recently hit the market and I had the opportunity to try it out. Finally, it’s also worth talking about the less conventional sounds on the Piano 2 sound bank. Korg SV2 88 The KORG SV-288 is a 88-keys Stage Vintage Piano Never before has a single instrument captured the signature sound, the unique performance experience, and the aesthetic satisfaction of so many definitive keyboards as the KORG SV-2 Stage Vintage. When we think of synthesized EPs, the obvious one that comes to mind is the classic Yamaha DX-7, with its sound that ruled the pop music of the 80s. You have 4 vectors and can morphed with the joystick. Korg is a Japanese company of electronic musical instruments and guitar tuners. As it stands, the software editor is an impressive, arguably integral part of the SV-2, and it’s mind-boggling that it isn’t highlighted on any of the marketing materials. The key takeaway I have to give is that the RH3 keys feel natural. In fact, that’s a trend with the sound editing. If you’re an amplifier-based performer, the Korg SV-2 also includes stereo 1/4” line outs, which are conventionally used to run the SV-2’s audio output through external speakers. The keys are made in Miyama, Japan, and feature a graded action, meaning keys at the lower end are heavier than those in the upper range. Note: The SV-2 does not come with built-in speakers. The effects are also geared around the same purpose. There are room, plate, hall and spring reverbs, whereas there are tape echos and stereo delays too. While it’s functional, it lacks the same responsiveness and half-dampering support that makes the DS-1H one of our favorites. Making presets on that keyboard was so simple that I’m surprised Korg didn’t just add a dedicated split/layer switch on the SV-2 to make things equally convenient. When it comes to stage pianos, design can make or break the product. Korg used their famous RH3 key-bed for both the SV-1 and the SV-2. If you want power and flexibility, I recommend checking out our Roland RD-2000, Korg Grandstage, and Yamaha CP-88 reviews to see if those might be preferable choices for you. Despite all my complaints about limitations and bad control schemes, I can’t deny that the SV-2 is an excellent instrument. If you do decide to dive into the details, the software editor is way more fully fledged than you’d expect. Smart Navigator. The big flaw in build quality I mentioned is the bottom of the SV-2. Below you can check the availability and current price of the Korg SV-2 in your region: The Korg SV-2 comes in 4 variants. This is particularly relevant this time, as it’s selling like hot cakes. Even without diving into the software, I was having a blast playing electric piano parts through the amplifier simulations and onboard tube valve. These custom sounds can be saved either from the front panel or from within the software editor. Thanks! Finally, there’s brass, and also some pizzicato strings here for some added variation if you want. The included DS-2H damper pedal is so close to the DS-1H pedal that we always recommend, and it really is a world of difference away. This time, the tube tends to run less hot, with the illumination effect being strictly LED-based. Since the Korg SV-2 is focused on performances, it goes without saying that performance features are a must. The Korg Grandstage exists, and has the same MSRP as the top-tier SV-2, which puts them in direct competition with each other. To get the best effect out of these sounds, you’ll need to work with the amplifiers and filter effects to nail down the right amount of ‘wah’ and bite. The Evolution of a Modern Classic Never before has a single instrument captured the signature sound, the unique performance experience, and the aesthetic satisfaction of so many definitive keyboards as the KORG SV-2 Stage Vintage. It contains many of the original waves and some from the expansion cards plus new ones. How the keys feel is the most important aspect, and while this action is more than a decade old, it still remains one of our personal favorites. Korg Grandstage 73 vs Korg SV2 73. We’ll cover the ports from left to right. The Korg SV-2 features a Valve Reactor circuit. However, the SV-2, right out of the box, delivers a simple, yet enjoyable keyboard playing experience, and that has to count for something. This is the same style used by most of our recently reviewed stage pianos. I’m not exactly sure how many people use harpsichords on stage, but it’s there if you want it. At first glance, The Korg SV-2 is a very attractive looking stage piano, much like its predecessor. This is a strange decision, but just keep it in mind for now. As an Amazon Associate I earn from qualifying purchases. In this article, we are going to be taking a deep look at the Korg SV-2 and everything it has to offer. This semi-textured feeling gives off a more premium vibe, and also adds a bit of slip-resistance, which is something people with sweaty hands will appreciate. So, if customizing sounds with a hands-on approach is what appeals the most to you, you might want to look elsewhere. A damper pedal jack allows you to connect a damper pedal to the SV-2. As someone who likes to really dive deep into personalizing presets, not having convenient ways of making splits and layers is somewhat of a deal-breaker. SV-2 Stage Vintage. Guitarists should know that tube-based distortion is really pleasing, and when you use these amps alongside the electric pianos, your playing dynamics is further emphasized. This bank also features harpsichords and organs. I believe that they did an incredible job in this department as I feel like the electric pianos sound great & the pianos do as well. If you factor in the editor and the natively inaccessible sounds, the SV-2 suddenly becomes a powerful keyboard. The latter has more sounds in its preset library, and it also has more robust editing and a larger selection of effects, all for a near identical price. $1,000 more not twice. The Rhodes samples (marked as MK I, MK II and MK V) are iconic, and even feature a model that is Dyno-modded. Also, most effects have in-depth editing options that are not available from the front panel. While the SV-1 made some really big waves in the digital piano game, I believe that the SV-2 could make some even bigger waves. The valve tube is one of the main selling points, but I wouldn’t buy the SV-2 strictly for this. Korg SV-2 Review – Is It The Best Option? It is solid yet lightweight, and works with practically any keyboard out there thanks to its universal polarity switch. My initial thoughts that I wrote down was the dynamics of the sounds, especially in the electric pianos and acoustic pianos. The straightforward nature of the Grandstage is something we liked, and having an added layer of retro-styling does add to the novelty factor. Having worked in a music store for over 7 years, Lucas has found passion in helping others choose the most suitable instrument for them. If you’ve used Native Instrument’s Kontakt before, this interface should be familiar. I have to consider that. And then we have NORD. Our review is mainly based around the 88-key Korg SV-2 with speakers. However, the Korg keys are absolutely a step above The Nord offering, so if you play more piano then the SV2 is the choice. You get decent emulations of Rock, Jazz, and pipe organs, as well as an emulation of a VOX Continental organ. Thanks for the review. NAMM 2020: Following yesterday’s big Wavestate announcement, Korg is back to announce two new keyboard instruments: the SV-2 Stage Vintage keyboard and the XE20 Digital Ensemble Piano. If you’ve read our previous reviews, ... For around $600 more, you can get the Korg SV2-73, which has Korg’s excellent RH3 action at the cost of a full-range 88-key keyboard. One thing I really like is the fact that the SV-2 has simulated pedal noise. I expected something like Casio’s Chordana Play app, which would make things more accessible, and perhaps even allow changes to be made on the fly. While I wish I had the ability to engage both a delay and a reverb simultaneously, that’s really the only true complaint I have. The SV-2 uses an upgraded version of the previous EDS synthesis engine, known as EDS-X, and the improvements over the decade-old sounds is clear as day. For each preset, tuning curves, program levels, split point, and touch curves are saved separately. Korg Stage Pianos at a glance ; Display Stage Pianos from $ 1750 - $ 2250 ; Go to product group Synthesizers ; … Nord Electro 6 HP, and that is about The reliance on external software isn’t necessarily bad, but I wish the ‘hands-on’ approach was followed through entirely. This is currently one of my main choices when it comes to Nord alternatives as it is a little cheaper and is comparable in quality. They are much easier to access under my Hammond in my two tier set up compared to my Yamaha P200. An update on the already popular SV1. I personally recommend the Nektar NX-P expression pedal, which is one of the cheapest pedals available online. While the SV-1 made some really big waves in the digital piano game, I believe that the SV-2 could make some even bigger waves. It also has a very clean layout. Regardless, it does sound authentic, and will likely be used as a layer during your ballad song playthroughs. As you see can by looking at this keyboard, it has a very vintage feel to it. We are a participant in the Amazon Services LLC Associates Program, an affiliate advertising program designed to provide a means for us to earn fees by linking to Amazon.com and affiliated sites. This is a strange design choice, especially since the rest of the SV-2 is simple enough to use. Of course, no stage piano is complete without including the classic electric piano sounds. The delays can be synced to a tempo via the tap button. This bank generally focused on sustained, orchestral sounds that are rich in harmonics to enhance other sounds. The Korg SV-2 is a good, modern take on the stage piano formula. While the rest of the body is generally sturdy, its underside uses cheap-feeling particleboard, the same materials used in the original SV-1. I won’t dive into the details, but I will say that these amps are all very pleasing. When you’re unable to make on-the-fly edits, that makes this less flexible, unless you’re willing to bring a laptop along. For the keyboard world, this is some…. In my opinion, Korg’s instruments generally go with functional looks over something striking. Apart from that, the only difference between each variant is the weight, dimensions, finish, and key count. If you end up getting the SV-2 for use at home, this is something you’ll probably leave on constantly. I usually cover external software in the Features section, but I think the bundled editor software merits its own section here. I love the forward facing controls. Best Prices on Korg Keyboards SV273 73-Key StageVintage Stage Piano with RH3 Hammer Action-Black SV-273 and other Korg Keyboards products at Acclaim Sound and Lighting - Canada's Favourite Music Store . Your email address will not be published. Up until recently the kings of the stage piano world. A complaint many had with the original was the feeling of being limited, and 72-sounds is quite a lot to work with, especially since they feature improvements in Korg’s sound generation technology over the years. FREE SHIPPING ALLOWANCE OVER $99* Search by Web ID, … Before we get into it, we should say we are looking at the SV-2S model and not the regular SV-2. I’ll get the elephant out of the room first. By Keyboard Magazine (Keyboard Magazine) 01 April 2020. I’ve been playing keyboards for over 20 years and this is the place that I love to share my knowledge. Now, here are a few extra recommendations that might make the experience more complete. Essentially, if you’re primarily a piano player, the Korg SV-2 has a great selection of sounds for you to work with, and most of them sound great. There are a number of upgrades with…, The Yamaha P-515 is a digital piano and it is meant for the skilled or experienced pianist looking…, The Roland FP-30X is the newest addition to the Roland FP-series. For home-use, these speakers are great, and well worth the added price tag. Most entry-level digital pianos fall into this weight class, and it’s ideal if you need to store the B2 when you’re done. The problem with the organs here is the lack of any physical drawbars, or even a mod wheel. Korg hasn't announced it yet but they will tommorow and there new synth is a update too the wavestation. This sound bank features your Rhodes and Wurlitzers, and boy, there are a lot of them to work with. This would still work for any level of musician, however, it wouldn’t really be needed for beginners as it’s expensive. Your Source for MIDI Controllers, Digital Pianos, and Keyboards, Studio-grade FX and Valve Reactor circuit. This knob-based interface is something we’re seeing more and more often on stage pianos. That’s included here, and from what I can tell, it’s emulated through synthesis, rather than being sampled. The former are what you’d expect, and not really too much to write home about. Strings are featured here, and are nicely sampled. Apart from differences in weight, dimensions, and key count, the instruments are completely identical. I personally don’t have a preference between the colors with this keyboard as I think they both look really slick. Honestly, I'm mostly using the SV-1 as a controller for things like Keyscape and Kontakt. With this being said, I may prefer the CP88 key-bed over the SV-2, however, there are features I like more on the SV-2. Notify me of followup comments via e-mail. We’ll be covering things in a linear way, following the signal chain which your sound signal runs through. You can choose between 73- and 88-key variations, which in turn, have variations with speakers, and without. For the sake of conciseness, I won’t be discussing the individual effects in detail, but just know that all of them are great. Korg is a Japanese company of electronic musical instruments and guitar tuners. What you do get are top-firing speakers (tilted back) with a good amount of gain. The SV-2 variants with speakers (SV-2S) comes with stereo 15 W speakers, each being 2.5” with a 3” passive radiator. That’s what makes it digital after all. The projection means you can use the SV-2 for practice without hooking it up to an amplifier, and that’s something I do like. I’ve been trying with garage band and also with just one line out cord, which I don’t think is the best idea. Next, your sound goes through the Pre-FX section, which emulates stompbox effects. The white keys have a synthetic glossy acrylic top, whereby the black keys use a matte black finish. Quite possibly my favorite thing about the SV-2 is that it has more than 10 times the sample data of the SV-1. The other half of the EP sound bank are the synthesized EPs, and I’m glad to report that they retain the same degree of quality as their electromagnetic counterparts. For reference, the same keys are also used in Korg’s cabinet-style digital pianos, so while their age might imply that they’re outdated, don’t be fooled. This DS-1H is slightly smaller, but it is solidly built, and also supports half-damper capabilities, which is something you’d likely want for extra expressiveness. Best Korg Digital Pianos From Budget To Pro 2021, Best Digital Pianos Under $500 – Expert Reviews. In the end, I’d say that whether the SV-2 works for you depends solely on your needs and wants. Online Guides. Apart from that, the only difference between each variant is the weight, dimensions, finish, and key count. These are all fairly realistic, especially the VOX model. The included sounds are all well sampled and sound great, and the included amp sims make it one of the best options for electric piano players. This is somewhat understandable considering the sound library included on the SV-2, but it would be great to have a mod-wheel for controlling organ rotary speeds, or a pitch bend wheel to use external synthesizers alongside the SV-2. While some might bemoan the keys being purely plastic, I find that they feel just as good as the hybrid wooden keys found on Roland and Yamaha’s similarly priced stage pianos. However, the only difference between the two is that the SV-2S has a built-n speaker system, the SV-2 doesn’t. For the latest contact information, please refer to the Korg.com website. The only bands it wouldn’t be great for would-be bands who don’t use a lot of pianos or electric piano sounds and are mainly synth sounds. As usual, I find myself liking Korg’s ‘Japanese Grand’ preset most often. These are all commonly used effects that see use with electric pianos. The user interface is well designed, and you should be able to get to grips with it even without experience using VST plugins. The pads are described in the manual as being ‘typical’, and that’s an apt description. I had a question about recording. The distinctive curved top panel is probably the most recognizable feature of Korg’s SV lineup, and despite having added speakers on my review variant (something the original didn’t have), it still manages to look coherent. This difference is one of the main differentiating factors between the two, and as such, I was curious to see how different things would be. Korg owns VOX after all, and they just released a revision model of the Continental back in 2017. Speakers are very important for digital pianos built around home-based use, but the same doesn’t apply for stage pianos. Korg sv-1 In detail. While it’s still somewhat of a visual gimmick, the warmth it adds to the audio signal is worth it. In fact, this is pretty much the same setup as on the Grandstage, with a few minor differences. If your pedal supports half-dampering, you can also use it. While you’re getting more sounds, the bigger thing to me is the quality of some of the sounds has also improved. For instruments, you get to choose from the massive list of included presets, which includes synths, guitars, orchestral instruments and more. If you have external instruments, or perhaps music players, you can use the stereo 1/4” input jacks to run the audio signal through the SV-2’s main outputs. Depending on how ingrained your muscle memory is, you might notice the slightly shallower key travel of the RH3 action. The wah pedal also includes auto- and pedal-variations, switchable with a dedicated button. These include a compressor, booster, U­Vibe, vibrato, tremolo or wah. Overall, the design is in my opinion, spot on. For example, the Korg Grandstage, which has a similar sound engine with more robust editing capabilities. The noisier tones of the reed-based Wurlitzer are also included, and they sound great, with a bit of inherent distortion expected from a pre-amped signal. With synthesizer and organ parts, I find myself wishing the keys were slightly lighter but then again, synth and organ sounds aren’t the focus here, so it’s understandable. I truly believe that this is a powerhouse of a keyboard and I recommend it to keyboard enthusiasts. The SV2 contains highly-detailed multiple acoustic pianos, vintage EPs, and a compendium of electro-mechanical, transistorized, tape-driven, analogue and early digital keyboards. The amplitude provided is workable, but I can see it getting swamped in a full band mix without running it through a dedicated mixer. However, I’m not the exact target audience. It kind of reminds me of a modern-day Rhodes in a way. At NAMM 2020, Korg finally announced the long-awaited update to this beloved stage piano, the SV-2. We already talked about how the SV-2 uses a more hands-on control scheme. Two other 1/4” pedal jacks are available if you want to utilize expression or switch pedals. Re: Mini set-up for pop-up synth studio. In comparison to its competition, I believe that the Korg SV-2 is up there with some of the options on the market. What Is Polyphony And How Much Do You Need? Ten years ago, KORG launched the Stage Vintage line to wild acclaim. 2 As it stands, the SV-2 is a beautiful stage piano with a heavy focus on key-based instruments. The 1st bank delivers on its heritage beautifully and is likely the main reason you’re even looking into the SV-2. The follow-up to 2010’s acclaimed SV-1 Stage Vintage, the SV-2 is designed to improve upon the stage and grand piano sounds of its predecessor. If you’ve tested out the Korg Grandstage, you might find yourself having a sense of deja-vu, and that’s not a bad thing. As you can by looking at this keyboard, it has a very vintage feel to it. Essentially, when you switch between presets, the previous sound does not get abruptly cut off. It really gives you this feeling of nostalgia all while delivering some incredible sounds. Roland FP-30X Review – Practical, Powerful, & Impressive. Sound Engine: EDS-X (Enhanced Definition Synthesis – eXpanded), Effects: EQ, Modulations, Reverbs, Delays, Amp Simulation, Vox Wah, Vibrato, Tremolo and more, Full specs can be found on Korg’s official site. The control scheme is also well-designed overall. This Valve Reactor circuit delivers the added warmth or snarl that only a true 12AX7A vacuum tube can provide. You don’t need to have the user manual with you to use this keyboard, and that inherent intuitiveness is something I really do like. While this is not a crazy amount, Korg has packed all of the vital sounds you would need for gigging in most bands. Most of the grand pianos are sampled with multiple microphones to fully capture the sense of scale, and also include modern software-side features like string resonance, pedal noise, and other minute details that add to the lifelike quality of the sounds. And would you recommend one cord for left and one cord for right ? It’s all a matter of preference in the end! You could use on chord but the recording will be mono then, so if you want the best quality (stereo), you’ll need to record both channels (L and R). This isn’t visible from the audience, but I do suggest being extra careful when moving it around, as MDF boards aren’t known for being very sturdy. With the SV-2, the tube seems to have been improved. The first comparison will be of the following keyboards: the Korg Grandstage 73 keyboard which has a price of €1.599/$1999/£1,499 and the Korg SV2 73 with a price €1.799/$1899/£1,666, with a difference of €166 we will analyze the … That’s not to say the other sounds are bad. I wish this was more intuitive using the onboard controls, but it’s still a nice option to have. it is the SV2S model that has a built in speaker system at additional cost. As far as the effects go, they include a 3-band EQ, red compressor, treble boost, u-vibe, vibrato, tremolo, and VOX wah. The Korg SV-2 was announced at the famous winter NAMM 2020 event. Our verdict on Korg’s latest stage piano (Image credit: Korg) Korg’s new D1 stage piano endeavors to bring the feel of a grand piano to the stage and home. Notable inclusions here are the Electric Grand, which seems to be an old Yamaha CP-80, which has an iconic hollow tone that works wonders when used as a ballad accompaniment. Before we end this section, you should know that you’re also missing aftertouch. Key to the Wavestation’s character were two elements: the vector synthesis inherited from Sequential, which allowed users to crossfade between four separate waves, and its own wave-sequencing engine, whereby multiple waves can be assigned to a sound sequenti…

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